Speaking of art, Friday night the Snook and I headed to the Art Gallery of NSW to catch their exhibition Dangerously Modern: Australian Women Artists in Europe 1890-1940 before it closed this past weekend. They had a 2-for-1 ticket deal on and loads of people were there taking advantage of the cheap tickets. We mingled through the crowd, listening to the audio guide and noting the pieces we recognised or particularly liked. The exhibition featured paintings, sculptures, and pottery from Australian women who travelled to Europe to develop their artistic styles and live in a modern way. A couple pieces that I caught my eye:

This is “An interior,” painted around 1920 in Paris by Bessie Davidson. The bold graphic strokes and the placement of the windowpanes reminded both Rodd and I of the Kate Nielsen painting we bought last year.

This is “The teapot cosy,” painting by Margaret Preston in London in 1916. I am a big fan of Preston’s woodblock prints of Australian flora, and I’ve even got pajamas and a robe that feature them. I didn’t know as much about her paintings and pottery though.

Another teapot still life from Preston, this time painted in Bunmahon, Ireland in 1915. The explanatory text points out that for early modernists like Preston, “decorative” in art was highly valued. In this painting, she changes the direction of the stripes on the tablecloth because it makes for a more pleasing rhythm within the composition.

Here’s another one from Bessie: “Intérior (Interior)” painted in Paris in 1935. I love how she uses the bold splodges of colour.

I really liked this cubist view of “The Bridge,” painted by Dorrit Black in 1930 in Sydney. Black established the Modern Art Centre in Sydney and became the first woman in Australia to run an art gallery.

This is “Oranges and lemons,” painted by Alison Rehfisch in London in 1934. Rehfisch was a new artist for me, and I love the soft flat colours she uses here.

As you left the exhibition, the hallway featured large photos of the women artists who had been featured. I particularly liked this one of Agnes Goodsir and her friends chilling in Paris in 1930. I sent it to a couple of my best girlfriends with the caption “#lifegoals”.
I should also mention one other artwork, not part of the exhibition, that I really enjoyed. This is “Bluejeaneando” by Mexican artist Pia Camil. It’s a giant pile of 80 pairs of secondhand jeans, filled with stuffing and sewn together. It’s sitting in the newer Naala Badu building, and there’s a sign encouraging you to sit and play on the artwork. To my surprise, it’s really soft and inviting. We spent ten lovely minutes resting there. Highly recommended if you’re in the area!
